Discipline

Writings

The writing work carries the deeper narrative architecture behind much of the film and XR portfolio. These are story worlds, long-form concepts, and character systems designed to move across mediums rather than remain only on the page.

Story worlds

Writing projects that define the emotional and narrative logic of the broader portfolio.

Episodic world / 6DoF narrative

Motel Sunshine

Motel Sunshine is an episodic 6DoF VR experience anchored to a fictional motel and designed for real-time, multi-perspective storytelling. Viewers can follow different characters, revisit the same world through new routes, and uncover shifting layers of information depending on where they spend their attention.

The writing is structured around revisitable perspective, layered character knowledge, and an ending philosophy in which leaving the world is part of the meaning.

In Development

Novel concept / Adaptation path

Home Struck

Home Struck follows a child searching for belonging by moving through the world before fully understanding where home is. Written as a second-person novel, it is designed to create a direct relationship between reader, character, and point of view.

In its expanded form, the written narrative and the immersive adaptation would function together: one as intimate text, the other as a revisitable spatial experience within the same emotional arc.

In Development

How to read this section

These projects are not side notes to the portfolio. They are the narrative engines under the rest of the work.

Writing as infrastructure

The writing work supplies tone, world logic, character relationships, and the moral structure of the larger projects.

Cross-medium thinking

Each writing project is conceived with adaptation in mind, especially toward XR and filmic formats.

Where next

See XR for the immersive branch of these story worlds, especially Motel Sunshine.